I posted last night that I personally thought the environmentalism/global warming “propaganda” (my word) that ran thru WALL-E was overdone.
Let me review my reasons for saying that:
- Nothing green is growing on the planet any more.
- A single cockroach is the only life left on earth.
- All humans have abandoned the planet because of the pollution.
- There’s even pollution in space (where people started dumping their trash)
- Earth is no longer the blue planet but the brown planet.
- The sun seldom breaks thru the smog.
- WALL-E’s single job is to clean up the pollution — a job that after 700 years still cannot be completed.
- The wicked Wal-Mart style corporation called “Buy-n-Large” (BnL).
- The President says “stay the course”.
- Capitalism is bad.
I’ve had some friends write to say they disagreed. They didn’t think it was heavy-handed or preachy; and that I only saw it because I wanted to.
Fair enough. Given that I’ve been up to my ears in global warming discussions for the past five years, I could be hyper-sensitive to it. I’m going to see the movie again. It’ll probably be less annoying to me the second and third times around. And I probably will even laugh at them.
John M. Frame wisely writes,
“It is simply false to claim that art has nothing to do with ‘messages.’ Indeed, we are living in a time in which the messages of art are becoming more and more explicit.”
I would like to take a second to discuss a plot device called a MacGuffin.
A MacGuffin (sometimes McGuffin) is a plot device that motivates the characters or advances the story, but the details of which are of little or no importance otherwise.
The element that distinguishes a MacGuffin from other types of plot devices is that it is not important what the object specifically is. Anything that serves as a motivation will do. The MacGuffin might even be ambiguous. Its importance is accepted by the story's characters, but it does not actually have any effect on the story. It can be generic or left open to interpretation.
The MacGuffin is common in films, especially thrillers. Commonly, though not always, the MacGuffin is the central focus of the film in the first act, and later declines in importance as the struggles and motivations of characters play out. Sometimes the MacGuffin is all but forgotten by the end of the film.
Again, I could well be wrong about this. But it seemed to me that the whole green agenda in WALL-E was not a MacGuffin, but instead was an intricate part of the movie.
For those of you who have seen the movie, here’s a thought experiment: could it have been effectively made without that being the plot (or sub-plot, depending upon how you look at it)?